Photo: Adan Vallecillo
Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.
Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.
Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests.
Photo: Adan Vallecillo
Photo: Adan Vallecillo
Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.
Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.
Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests.
Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.
Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.
Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests.
Photo: Courtesy MAC Panama
Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.
Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.
Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests.
Photo: Adan Vallecillo
Photo: Adan Vallecillo
Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.
Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.
Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests.
Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.
Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.
Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests.
Photo: Adan Vallecillo
