2017, gold acrylic paint, laser cut paper and powdered graphite on wall, Museo de Arte Contemporaneo, Panama.
2017, gold acrylic paint, laser cut paper and powdered graphite on wall, Museo de Arte Contemporaneo, Panama.

Photo: Adan Vallecillo

Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.

Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.  

Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests. 

2017, gold acrylic paint, laser cut paper and powdered graphite on wall
2017, gold acrylic paint, laser cut paper and powdered graphite on wall

Photo: Adan Vallecillo

2017, gold acrylic paint, laser cut paper and powdered graphite on wall
2017, gold acrylic paint, laser cut paper and powdered graphite on wall

Photo: Adan Vallecillo

2017, gold acrylic paint, laser cut paper and powdered graphite on wall
2017, gold acrylic paint, laser cut paper and powdered graphite on wall
2017, laser cut Thai marbled paper, Museo de Arte Contemporaneo, Panama.
2017, laser cut Thai marbled paper, Museo de Arte Contemporaneo, Panama.

Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.

Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.  

Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests. 

2017, laser cut Thai marbled paper.
2017, laser cut Thai marbled paper.
2017, laser cut Thai marbled paper.
2017, laser cut Thai marbled paper.
2017, collage, laser cut marbled Thai paper, Museo de Arte Contemporaneo, Panama.
2017, collage, laser cut marbled Thai paper, Museo de Arte Contemporaneo, Panama.

Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.

Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.  

Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests. 

2017, collage, laser cut marbled Thai paper
2017, collage, laser cut marbled Thai paper
 Photo: Courtesy MAC Panama

Photo: Courtesy MAC Panama

2017, laser cut faux suede on wall, Museo de Arte Contemporaneo, Panama. Photo: Adan Vallecillo
2017, laser cut faux suede on wall, Museo de Arte Contemporaneo, Panama. Photo: Adan Vallecillo

Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.

Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.  

Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests. 

2017, laser cut faux suede on wall
2017, laser cut faux suede on wall

Photo: Adan Vallecillo

2017, laser cut faux suede on wall
2017, laser cut faux suede on wall

Photo: Adan Vallecillo

2017, collage, pastel, laser cut paper, Museo de Arte Contemporaneo, Panama.
2017, collage, pastel, laser cut paper, Museo de Arte Contemporaneo, Panama.

Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.

Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.  

Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests. 

2017, collage, laser cut paper, Museo de Arte Contemporaneo, Panama. Photo: Adan Vallecillo
2017, collage, laser cut paper, Museo de Arte Contemporaneo, Panama. Photo: Adan Vallecillo

Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.

Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.  

Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests. 

2017, collage, laser cut paper.
2017, collage, laser cut paper.

Photo: Adan Vallecillo

2017, collage, laser cut paper.
2017, collage, laser cut paper.
2017, gold acrylic paint, laser cut paper and powdered graphite on wall, Museo de Arte Contemporaneo, Panama.
2017, gold acrylic paint, laser cut paper and powdered graphite on wall
2017, gold acrylic paint, laser cut paper and powdered graphite on wall
2017, gold acrylic paint, laser cut paper and powdered graphite on wall
2017, laser cut Thai marbled paper, Museo de Arte Contemporaneo, Panama.
2017, laser cut Thai marbled paper.
2017, laser cut Thai marbled paper.
2017, collage, laser cut marbled Thai paper, Museo de Arte Contemporaneo, Panama.
2017, collage, laser cut marbled Thai paper
 Photo: Courtesy MAC Panama
2017, laser cut faux suede on wall, Museo de Arte Contemporaneo, Panama. Photo: Adan Vallecillo
2017, laser cut faux suede on wall
2017, laser cut faux suede on wall
2017, collage, pastel, laser cut paper, Museo de Arte Contemporaneo, Panama.
2017, collage, laser cut paper, Museo de Arte Contemporaneo, Panama. Photo: Adan Vallecillo
2017, collage, laser cut paper.
2017, collage, laser cut paper.
2017, gold acrylic paint, laser cut paper and powdered graphite on wall, Museo de Arte Contemporaneo, Panama.

Photo: Adan Vallecillo

Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.

Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.  

Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests. 

2017, gold acrylic paint, laser cut paper and powdered graphite on wall

Photo: Adan Vallecillo

2017, gold acrylic paint, laser cut paper and powdered graphite on wall

Photo: Adan Vallecillo

2017, gold acrylic paint, laser cut paper and powdered graphite on wall
2017, laser cut Thai marbled paper, Museo de Arte Contemporaneo, Panama.

Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.

Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.  

Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests. 

2017, laser cut Thai marbled paper.
2017, laser cut Thai marbled paper.
2017, collage, laser cut marbled Thai paper, Museo de Arte Contemporaneo, Panama.

Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.

Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.  

Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests. 

2017, collage, laser cut marbled Thai paper

Photo: Courtesy MAC Panama

2017, laser cut faux suede on wall, Museo de Arte Contemporaneo, Panama. Photo: Adan Vallecillo

Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.

Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.  

Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests. 

2017, laser cut faux suede on wall

Photo: Adan Vallecillo

2017, laser cut faux suede on wall

Photo: Adan Vallecillo

2017, collage, pastel, laser cut paper, Museo de Arte Contemporaneo, Panama.

Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.

Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.  

Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests. 

2017, collage, laser cut paper, Museo de Arte Contemporaneo, Panama. Photo: Adan Vallecillo

Series of 6 installations located throughout the building’s stairway, wall corners, ceilings and other spaces.

Laser cut and collaged materials such as fabric and paper shape sculptures of imaginary lichen species “endemic” to Panama.  

Each of the “species” is based on a hybrid between architectural and organic forms, for example, 16th c drawings of Spanish walls and forts, blueprints of American Canal Zone suburbs or current Google Images of buildings of the new Panama City skyline are abstracted in dialogue with the many forms and textures of lichens found around Panama’s city and forests. 

2017, collage, laser cut paper.

Photo: Adan Vallecillo

2017, collage, laser cut paper.
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